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It is a delightfully touching film with heartwarming effects for all who view these two children as they face challenges and struggles that wonderfully illustrate the very core of family values.

Zahra keeps the secret. Our little heroes, who are highly regarded by their parents, decide on a scheme to share Ali’s sneakers when they go to school
Apart from their trouble, the children give an amazing performance of kindness and loving care with moving compassion and responsibility towards their family; helping mother with housework and a suckling baby, and shopping by Ali while understanding their parents’ financial problems. Ali’s father (Reza Naji) does not earn enough to manage expenses. He has not paid rent for over five months and also owes the grocer. His sole concern is to provide for the family and at the same time he instructs his children to always treat their mother well
The performances from Amir Forrikh Hashemian and Bahare Seddiqi as Ali and Zahra are wonderful: Seddiqi sweetly thoughtful and loving, Ali tremulously bright and sensitive, habitually on the verge of tears. This is a pellucid and gentle film, made with the simplicity and grace of a children’s tale and yet its humour, emotional clarity and directness speak directly to adults and children alike – and the pre-teen principals shoulder an adult burden of performance. It is a film whose images and scenes – particularly the running race Ali finally enters to win a new pair of trainers – linger in the mind.

The brilliant portrait of its characters teaches viewers tolerance towards adversity minus petty grumblings
. This film, shot in and around Tehran, follows the lives of two siblings who are forced to share one pair of shoes after an unfortunate accident. Not wanting to burden their struggling parents, the children must work together and find a solution to deal with this significant loss. The film shows the inner strength we have when faced with adversity.

Children of Heaven stars Amir Farrokh Hashemian as the hapless Ali, and Bahare Seddiqi as the dutiful Zahra, two remarkably precocious young actors in their first and only cinematic roles to date. The chemistry and affection between the two children is precious, and amid the plight and pathos of their predicament,
Particularly when Majidi depicts Ali, the main character, at home with his poor family and disabled mother. Towards the middle of the film Ali and his father travel to a wealthy neighborhood in Tehran for work. The contrast of the two worlds is unavoidably noticeable especially with the addition of Majidi’s brilliant cinematographic skills providing excellent transitions between both worlds
Children of Heaven is a wonderful film about a family doing their best to pull together in spite of great financial difficulty
This is an incredible coming-of-age film, a beautifully rendered encapsulation of the trials and suspense of childhood no matter where you live. It’s a moving story about the universal bonds of family as well as the specific circumstances of a poor family trying to make ends meet in Iran
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Children of Heaven” Movie analysis “Children of Heaven” is a movie about the life of the poor families. The little brother Ali and his sister Zara are the main characters in the movie. Living is such a poor family teaches Ali and Zara a lot of moral values. The lost of Zara’s shoes, the situation and the place they live in and the participation of Ali in the running marathon are all symbols of how much the kids learn throughout their lives and how much they value the little things they have. The movie takes place in Tehran, where people are very poor. However, living such a simple life and having just enough to survive symbolize the closeness of the family and neighbors, and the people in the town at whole.
good reason.

. The little children Ali and Zara feel priviledge to be bale to go to school and study. They don’t take that for granted like kids here in USA and other modern countries. Ali stays home and helps his mom when she sick instead of going out and playing with his friends, while his sister takes care of the baby. Ali also goes with his father to the rich people’s neighborhood to help him find a job so they can make some extra money. Ali and Zara learn so much about life and so many values at such a young age. They know the price of small things in life and they don’t take anything that they have for granted. The pen that Ali gives to his sister Zara makes her so happy, she……

BACKGROUND: Released in 1997, the Iranian film, ‘Children of Heaven’ is a story of two siblings from a lower class, who struggles with, and, for a pair of shoe. Directed by Majid Majidi.Majid Majidi His work is uncluttered and elegant: the story flows in a simple, linear manner with no flashbacks or flash-forwards; no special effects to jazz things up; And the soundtrack played a vital part in shaping the whole experience of the viewer. It’s not just the music. It’s the strategic use of silence.It is called the sound of silence The cinematography and editorial pacing of Children of Heaven takes advantage of the full range of cinematic story-telling techniques, Such as tracking shots, pans, a wide range of camera framings, camera reversals, and point-of-
view shots – FEW POINTS WORTH HIGHLIGHTING IN THE MOVIE:1. the narrow alley in which we see the children running most of the time, projects the economic state of the community and the director’s insight to enhance the proximity of the situation and also the realistic projection of how many hardships the faced to keep the secret: running in dirty uneven lanes, with gutters, children playing, crowd moving about.2. A director’s decision on what camera movement for what shot?The decision is a combination of Director’s POV i.e. what he wants to communicate or what does he want the audience to focus on and the audience tendency of observing things i.e how best can he leave an impact on them.The camera angles used in the alley where the main subjects dwell are done in a sense as if to convey the crunch for space each time and to enhance the proximity of the situation.Contrast to that, the usage of the long shots during the scene of the uptown highways and bridges
shown to convey the expanse and create the stark difference of the two parts of the city audience……

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In the world of children, small gestures and simple activities take on great meaning. Majid Majidi unravels these with careful attention — a perilous encounter with an angry schoolmaster, a moment of enchantment blowing bubbles, a time of panic when a sneaker falls in an active sewage drain, and the soothing comfort of cooling feet in the courtyard pond. Children of Heaven is a sheer delight from start to finish.

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The islam gives several verses on family values that instruct us to do good for our parents in the best way possible
when Ali’s mother asks him to contribute a bowl of soup to their sick neighbor. Ali also gives his pen, a gift from his teacher, to his sister, Zahra. Based on Islam, humans should spend their wealth, even small contributions, in accordance with God’s Will
This bright jewel of a film is a cross-cultural masterpiece that touches the heart and reveals the universality of familial love and the determination of children to make do even in the most dire circumstances. For the talented Iranian writer and director Majid Majidi, less is more and little things make all the difference in the world
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Children of Heaven is a contemporary Iranian film about families, compassion, moral responsibilities and issues of limited resources
Children of Heaven offers a rare glimpse into the everyday lives of a culture that many perceive as mysterious or forbidden, yet still conveys the message that the travails and triumphs of children and families from any culture are more alike than different
. Children of Heaven is one of those magical films that breaks down perceived barriers and differences between cultures, an enlightening and entertaining cinematic journey
All the people in this neighborhood are very poor and they struggle to live, but they also learn a lot this way. They help each other a lot, children do work around the house, and the neighbors help each other with small things that mean a lot to them, like a handful of nuts. The man that works in the grociery store let people take food and pay him back later when they can. Small things are very important for the people in this neighborhood and this is why they value life so much
sugar of mosque cant use at home
At the same time, Iranian society is, at its roots, religious with widespread acceptance of popular superstition. Iranians today tend to characterize themselves as highly spiritual (rohani), in contrast to the materialistic West and Arab world. Iranian “Reformists” are not secular, and do not call for a total separation of religion and State. Even the Shah – despite the present regime’s propaganda – was a believing Shiite Muslim. This popular religiosity, however, stands in stark contrast to the low esteem in which Iranians hold their clergy and the extremely negative Persian stereotypes of the Mullah as corrupt, hypocritical, avaricious, lascivious, argumentative, and unscrupulous – a person who exploits religion for the sake of his own interests. These stereotypes are ingrained in Iranian lore for centuries and are not the consequence of disenchantment from the present regime.

Iran holds a unique place in the study of the modern Middle East: it is a non-Arab country, but deeply involved in the heart of the Arab world;
In Iran, as in any cultural group, there are differences between traditionalists and modernists, ideologically oriented people and pragmatic existentialists, people from rural and people from urban backgrounds, common folk and world-savvy sophisticated political elites, men and women, people from different regions and from different age groups. The personal biography of an individual will have a defining influence over the elements of the national mindsets that he integrates
Al’Qur??n, the common positive values that play a central role in both cultures as impressively displayed in “Children of Heaven” makes it a most worthy contribution of cinematic art for all Muslim families. The most noteworthy point of this review is the latter statement which implies that the film holds meaningful educational value in concert with Al’Qur??n, and is beautifully portrayed for all those concerned with training their children in accord with Islamic family values
Poverty is a serious issue in Iran even now.

The shoes are representation of class in Iran, like a nice watch or expensive car. Throughout the film this theme of class is continually revisited.

The themes and characters are universal and the story is as exciting as it is poignant
CHILDREN OF HEAVEN
directed by Majid Majidi who perfectly cast the innocent faces of his well chosen child actors. The story concentrates on a pair of shoes being shared by a brother and sister in a poor family in southern Tehran. Although financial problems bring anxious difficulties, the children do their utmost to find simple solutions. The stars are Ali (Mir Farrokh Hashemian), a nine-year-old, and his younger sister, Zahra (Bahareh Seddiqi). The drama begins with Ali taking Zahra’s old shoes to a cobbler for repair. He places them in a black plastic bag in a grocery shop where he buys potatoes for his sick mother (Fereshte Sarabandi). Unintentionally, a peddler picks them up together with stale bread and some garbage. After Ali searches for them behind a box of vegetables that crashes, he is berated by the grocer. Ali tells Zahra of her lost shoes but begs her not to tell their mother.; Zahra in the morning and Ali in early afternoon. But Ali is late for school almost daily and is ordered by the principal to leave and return only with his father.
A case in point in “Children of Heaven” is their social network and the assistance provided to a sick neighbor. Every single thing related to their possessions, including their methods of acquiring and spending it, will be enquired of them by God in the afterlife. One’s success in the life of the hereafter, therefore, depends also on how well one manages to be a good trustee of God’s bounties in this world (Al’Qur??n 28:76-9). Hence, we should strive to spread good to other people specifically through the bounties bestowed on us by God
Ali’s father works very hard. In the course of the story he is told that if he finds gardening work among the rich in northern Tehran he would earn good money. He then obtains the necessary tools and Ali accompanies him as they seek work in many places without success. Even so, Ali was very helpful and took great pains to explain to landowners what they could do for them. Fortunately, after a short dialogue, Ali was called by Ali Reza (Mohammad Hossein Shahidi), a boy living with his grandfather (Kazem Asqarpoor). The film depicts the loneliness of Ali Reza who asks Ali to play with him. Their lovely childishness emerges during eager fun and by the time Ali leaves, Ali Reza is fast asleep in delightful exhaustion.

The film places no blame on society as Ali struggles for a pair of shoes in the south while rich Tehranians in north require a gardener. Islam concerns itself with the well being of everyone when it comes to questions of basic needs. Hence, the welfare of a person unable to strive for his or her basic needs falls under the guardianship of the rich in a Muslim society. By default this burden initially falls on society and only to government if no one willingly accepts the responsibility. Ideally this means that no one should lack the bounties provided by God in this world as far as basic human needs are concerned. In this respect, Islam stresses that healthy, able-bodied persons must strive and work to acquire their livelihoods. The Qur??n and Sunnah emphasise that work and labour are natural corollaries to human existence, even as the prophet strove for God’s bounties as shepherd and merchant. Hence, Islam requires us to earn our livelihood and not live on charity (Al’ Qur??n 4:32). Furthermore, Islam does limit the amount of wealth a person may accumulate.

Its viewing can only enhance family relationships and interactions while elevating honest and penetrating insights with contemplations of a worldview that reflects spiritual reality. It is especially filled with Islamic values pursuant to the 1979 Iranian Islamic Revolution, and since Malaysia holds a Muslim majority following the teachings of
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http://contemporaryiranfilm.blogspot.com/2012/04/children-of-heaven.htmlhttp://thingsasian.com/story/film-review-children-heavenhttps://www.nytimes.com/1999/01/22/movies/film-review-for-a-pair-of-sneakers-longing-lies-and-a-plan.htmlhttp://www.filmjournal.com/children-heavenhttp://www.mcser.org/journal/index.php/mjss/article/viewFile/5901/5680http://waytooindie.com/review/movie/children-of-heaven/https://scoopempire.com/really-really-need-watch-children-heaven/Background of the Film: Links to Society
It’s not surprising that Majid Majidi, the director of the film, opens with a long sequence of a pair of shoes being repaired. The film is set in the rundown southern section of Tehran, the capital city of Iran. The film focuses on a poor family and the struggle of a brother and sister to replace the newly repaired shoes that had been lost at the beginning of the film.
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In CHILDREN OF HEAVEN , after third grader Ali picks up his sister Zahra’s shoes from the cobbler, they are mistakenly taken by a passerby while Ali is stopping off at a produce stand. Since they are the only pair of shoes Zahra owns and they both fear angering their father over this calamity, Ali must share his only pair and they trade off for each other’s days at school. As Ali tries to make this arrangement work and as he and his family try and figure out ways to earn a living, there is an announcement at Ali’s school about a running competition. Ali enrolls in the hopes of winning third prize: a new pair of shoes.

. The climax of the film is exciting reinterpretation of the “comeback kid” sports movie, and it takes many unanticipated twists and turns.

This was the first Iranian film to earn an Academy Award nomination, and with

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